I’m reblogging this for the day crew.
==> Finally up for auction! Click here, and be absolved! <==
ZERO DAY
Pen and ink on clayboard
5 x 7” (10 x 12” framed)
This listing is for the original pen and ink drawing of MC Frontalot’s ZERO DAY back cover album art, by illustrator EG Gauger
The piece is drawn and painted by hand on smooth white clayboard with dip pens, brushes, and inkwash. The final image was recolored digitally before being used on the album art. This original is presented in a gallery-quality archival mat and frame which will protect against UV damage.
Our lovable MC Fronts, as a post-apocalyptic mutant of himself, devours the bug-spewing calculator featured on the front cover (the front cover illustration was by Jhonen Vasquez).
This artwork will ship in protective packaging from the SF Bay Area by USPS Priority Mail, and will include a personalized original sketch from the artist.(On a personal note, I would really appreciate you adorable cuddlefish reblogging the LIVING BULLSHIT out of this. The more publicity this gets, the better the auction is going to go, and I’m really hoping this piece is going to be worth something to the right Frontalot fan. Thank you for your help and support.)
Reminder: there are only 4 days left on this auction, and the numbers have been flying. Get in while you can.
I’m reblogging this for the day crew.
==> Finally up for auction! Click here, and be absolved! <==
ZERO DAY
Pen and ink on clayboard
5 x 7” (10 x 12” framed)
This listing is for the original pen and ink drawing of MC Frontalot’s ZERO DAY back cover album art, by illustrator EG Gauger
The piece is drawn and painted by hand on smooth white clayboard with dip pens, brushes, and inkwash. The final image was recolored digitally before being used on the album art. This original is presented in a gallery-quality archival mat and frame which will protect against UV damage.
Our lovable MC Fronts, as a post-apocalyptic mutant of himself, devours the bug-spewing calculator featured on the front cover (the front cover illustration was by Jhonen Vasquez).
This artwork will ship in protective packaging from the SF Bay Area by USPS Priority Mail, and will include a personalized original sketch from the artist.
(On a personal note, I would really appreciate you adorable cuddlefish reblogging the LIVING BULLSHIT out of this. The more publicity this gets, the better the auction is going to go, and I’m really hoping this piece is going to be worth something to the right Frontalot fan. Thank you for your help and support.)
(Source: 3liza)
==> Finally up for auction! Click here, and be absolved! <==
ZERO DAY
Pen and ink on clayboard
5 x 7” (10 x 12” framed)
This listing is for the original pen and ink drawing of MC Frontalot’s ZERO DAY back cover album art, by illustrator EG Gauger
The piece is drawn and painted by hand on smooth white clayboard with dip pens, brushes, and inkwash. The final image was recolored digitally before being used on the album art. This original is presented in a gallery-quality archival mat and frame which will protect against UV damage.
Our lovable MC Fronts, as a post-apocalyptic mutant of himself, devours the bug-spewing calculator featured on the front cover (the front cover illustration was by Jhonen Vasquez).
This artwork will ship in protective packaging from the SF Bay Area by USPS Priority Mail, and will include a personalized original sketch from the artist.
(On a personal note, I would really appreciate you adorable cuddlefish reblogging the LIVING BULLSHIT out of this. The more publicity this gets, the better the auction is going to go, and I’m really hoping this piece is going to be worth something to the right Frontalot fan. Thank you for your help and support.)
[for sale]
Last Call
pink, walnut and white ink on cardboard
8.67 x 7.64”
I never managed to drink up the courage it would have taken, to ask her how she did that.
also for sale:
you should click these to expand the detail shots:


http://sweatshoptv.bigcartel.com/product/stain-4
Now’s your chance to redeem yourself for only reblogging the posts where I talk about how other people are wrong on the internet: reblog this and help me out. I am selling the last remaining full-sized piece from the Stains series. If you have any questions, please feel free to contact me.
Stain 4
2010
11 x 8 x 9”
ink on salvaged marble
The STAINS series is worked on marble slabs, salvaged from rubble piles in St. Marien cemetery in the Prenzlauerberg district of Berlin. Details are scratched in using scrapers, wire brushes, and fiberglass buffing. Meant to illustrate the tendency of people and events to sink into the masonry of a city as old and absorbent as Berlin, STAINS is the work of an expatriot of the American West Coast.
As the ghosts of a city press themselves into the stone, they leave traces behind, like nuclear blast shadows, leaf prints, or fossils.
I think this is my favorite piece from this series.
Yank
2009
5 3/8” x 2”
ink on United States Priority Mail label(collection of Hatch Kingdom Berlin)
you should click these to expand the detail shots:


http://sweatshoptv.bigcartel.com/product/stain-4
Now’s your chance to redeem yourself for only reblogging the posts where I talk about how other people are wrong on the internet: reblog this and help me out. I am selling the last remaining full-sized piece from the Stains series. If you have any questions, please feel free to contact me.
Stain 4
2010
11 x 8 x 9”
ink on salvaged marbleThe STAINS series is worked on marble slabs, salvaged from rubble piles in St. Marien cemetery in the Prenzlauerberg district of Berlin. Details are scratched in using scrapers, wire brushes, and fiberglass buffing. Meant to illustrate the tendency of people and events to sink into the masonry of a city as old and absorbent as Berlin, STAINS is the work of an expatriot of the American West Coast.
As the ghosts of a city press themselves into the stone, they leave traces behind, like nuclear blast shadows, leaf prints, or fossils.
METAL TWINK
i think this is done for real this time.
Petrichor
oil on canvasboard
5 x 7”
[for sale]
What else is there to say about that afternoon? We were pleasantly chilled; dewy with the fine mist that preceded rain in those days. The air between us was like vaseline on the lens of a glamour photographer, softening her lines until she looked like her thirteen-year-old self, only a revisionist’s vision of that woman-child: an old soul, something like she saw herself, then, in her quieter, more powerful moments of pubescence, turning and turning in front of a darkened bedroom mirror, forgetting the child-body that still held her—the puppy fat, the indefinite bone structure under baby cheeks, the tenacious little tummy—and seeing clearly, just for a moment, her own potential.
Cowboy
2009
18 x 24”
acrylic on canvascollection of Phil Nelson
The Monk
2007
inkwash on clayboard
5 x 7”
PRICE REDUCED: The Pixel Moon + Ann
This monochrome oil portrait has been substantially reduced in price for quick sale.